An Online Museum of Recorded Sound · Est. Gallery of the Vinyl Century

Drop the needle on history.

The Groove Almanac is a collector’s field guide to the machines, the music formats, and the rooms where America listened — from Edison’s tinfoil experiment to the record store down the street.

1877 tinfoil   1948 the LP   1958 stereo   1978 the peak   2025 the revival

Enter the exhibit ↓
Gallery I · The Permanent Collection

Nine exhibits, one spinning disc


Walk the collection in order, or use the era selector to jump straight to the decade you remember best. Every exhibit is an original long-read — researched, written, and curated for people who still believe an album is something you hold.

Showing all 9 exhibits in the permanent collection.

Panoramic macro photograph of a stylus tracking the groove of a vinyl record from edge to label
Between Galleries · Artifact in Detail A diamond stylus rides the microgroove — a valley narrower than a human hair, carrying an entire symphony. Photo: Franz van Duns, CC BY-SA 4.0, via Wikimedia Commons.
Gallery II · The Listening Room

The revival, by the numbers


$1B+

U.S. vinyl revenue in 2025 — the format’s first billion-dollar year since 1983.

46.8M

LPs shipped in the U.S. in 2025, up 9.3% over the year before.

19

Consecutive years of U.S. vinyl growth — a streak older than the smartphone.

Vinyl now earns roughly triple the revenue of the compact disc that once “replaced” it.

Source: Recording Industry Association of America (RIAA), 2025 year-end revenue report.

Gallery III · Artifact Spotlight

From the curator’s bench


Restored Edison cylinder phonograph with brass horn displayed in a phonograph museum
An Edison cylinder phonograph, preserved and still playable. Photo: DiscoA340, CC0, via Wikimedia Commons.

Every collection starts with one machine

Ask any collector how it began and you’ll hear the same story with different furniture: a grandparent’s console in the basement, a garage-sale turntable, a shoebox of 45s that survived every move. The machines in these pages aren’t museum pieces because they’re old — they’re museum pieces because they still work, some of them a century on.

That’s the quiet argument of this whole almanac: recorded sound was built to last, and the people who loved it built well. Start with the first exhibit and walk the century in order — or skip straight to the revival to see how the story loops back on itself, like a locked groove at the end of a side.

Begin the walkthrough